Tenors and concepts of herbaceous figures in the Throne of Jamshid
Abstract
Petroglyphs are an important features of the Throne of Jamshid. Its architecture is filled with numerous themes, concepts, and fundamental values from Iranian culture; and in this regard, the importance of herbaceous motifs is unique. Particularly, these motifs can be seen in various parts of the structure like stairways, Halls and … either used separately, or in merger with other animal or human motifs. Amongst the herbaceous figures, cypress, and amongst flowers, lotus and rosette are seen in the figures of Persepolis. Extensive presence of these figures is related to the ancient belief of sanctification of herbs and deep respect of Iranians for nature. Symbols, thematic structures, and metaphors related to herbs are a vast part of ancient Persian myths. This article discusses the connection between the herbaceous figures of the Throne of Jamshid and the ancient Persian myths; it also discusses the hidden concepts and tenors. The results have shown that the herbaceous figures of Persepolis are related to the religious and mythical concepts of the Iranian culture; and the Persian artist illustrates his percipient of the truth, universe, creation, and natural forces with the exploitation of allusions and symbols; therefore, by exploiting these concepts and symbols, the artist could make the unknown, something palpable in the eyes of the viewers.
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